Here the Sun Does Not Enter

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Smith and Zucchini’s exhibition publication presents the staging of artefacts, the ancient and recent past.

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Here the Sun Does Not Enter

Smith and Zucchini’s exhibition publication presents the staging of artefacts, the ancient and recent past.

Following Sam Smith and Andrea Zucchini’s exhibition ¬⊙× (here the sun does not enter) at Assembly Point (2016), the publication responds to the show’s core themes; considering the staging of artefacts, and the potential of extracting and combining data from the ancient and recent past. In Here the Sun Does Not Enter, “the preceding, the present and the projected lie folded, intimately touching”.

The publication features contributions from Nella Aarne, Hanna Laura Kaljo, Karen Kramer, Emily Rosamond, Lisa Radon, Sam Smith and Andrea Zucchini.

It was published by Assembly Point.

Sam Smith
Sam Smith (b.1980, Sydney, AU) is a London-based artist; he holds an MA from Goldsmiths University (2015). Selected exhibitions include Lithic Choreographies, Gotland Art Museum, Visby, SE (2018); E-1027, Whitechapel Gallery, London, UK (2016); The Horizontal Window, Plymouth Art Center, Plymouth, UK (2018); and Forma Lenta, Centro de Artes Visuais, Coimbra, PT. He is the Contemporary Artist at Stourhead, UK (2019) and has previously undertaken residencies at HIAP, Helsinki, Künstlerhaus Bethanien, Berlin, DE, and Artspace, Sydney, AU.

Andrea Zucchini
Andrea Zucchini (b. 1987, Brescia, IT) is a London-based artist. He holds an MA in sculpture from the Royal College of Art (2015) and a BA in fine art and history of art from Goldsmiths (2013); he’s currently completing a Foundation degree in analytical psychology at the Society of Analytical Psychology. Selected solo shows include Dark waters prefer low places, Jupiter Woods, London, UK (2017); and Foresight by Earth, Tenderpixel, London, UK (2016). Two-person shows include SOMA, with Namsal Siedlecki, Acappella, Naples, IT (2019); Second Skin, with Anastasia Sosunova, Editorial, Vilnius, LT (2018); and Here the Sun Does Not Enter, with Sam Smith, Assembly Point, London, UK (2016). Group shows include Laboratorio Aperto, Fondazione Antonio Ratti, Como, IT (2018); The Annotated Reader, curated and published by Ryan Gander and Jonathan P. Watts, Cork Street Galleries, London, UK (2018); and Four Rooms, curated by Daniel Marzona, Galerija Vartai, Vilnius, LT (2018).

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